{"id":10067,"date":"2025-05-19T11:47:50","date_gmt":"2025-05-19T11:47:50","guid":{"rendered":"https:\/\/ato.vision\/magazine\/?p=10067"},"modified":"2025-05-19T11:47:51","modified_gmt":"2025-05-19T11:47:51","slug":"homecoming","status":"publish","type":"post","link":"https:\/\/ato.vision\/magazine\/homecoming\/","title":{"rendered":"Homecoming"},"content":{"rendered":"\t\t
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It is always a little bit of a strange feeling to return home once you\u2019re a grown-up. Some of us still have our childhood rooms that we sleep in when visiting our parents, others might stay in a repurposed room, or their home has been abandoned because their parents have moved somewhere else\u2014or because they are no longer around.<\/p>

This week will be a such strange homecoming for me. An artistic one, and yet a personal homecoming as well.\u00a0 In all honesty- I never know where to draw the line between the two.
There\u2019s that old saying: \u201cA prophet is not without honor, except in his own country.\u201d
Meaning, as long as you stay where you were born, no one will really buy into your prophecies. You\u2019re still just one of them, part of the local caste, expected to behave like everyone else.<\/p>

Real prophets, it seems, are supposed to leave town early, get pushed around by the world, grow a beard, collect wisdom like souvenirs\u2014and only then come back, ready to be either celebrated or beheaded. Depending on the day. I\u2019ve done quite a few\u00a0 things to not get beheaded next Monday; I\u2019ve left home early, I\u2019ve suffered a substantial deal, I\u2019ve collected friends and foes in four of the five continents (South America – I\u2019ll be coming for you next) and I\u2019ve buried people on three out of the five. The further away that you\u2019ve been, the weirder it is to come back home.<\/p>

So this is next-level weird: having a solo exhibition just eight minutes from the town\u2014I mean, the village\u2014I grew up in. The Kunsthalle-esque looking art association I\u2019m showing with is eight minutes from the little brook where I used to pull out native crabs to scare my friends; eight minutes from the stick fencing with wooden swords I practiced so fiercely with my brother; eight minutes from the crossing where I crashed my bike when I was seven and tore my face open.\u00a0<\/p>

Now, installing the show, all these places feel light-years away. They\u2019re still there, but their context has forever shifted. Visiting them now is like visiting a film set of my own past. Coming home is also strange because you remember who you were before you knew everything you know now.<\/p>

And I find myself wondering if, back then, I might have already anticipated some of the things that would happen to me\u2014when I couldn\u2019t possibly have. Weren\u2019t there signs, some weird foreshadowing, like there always seem to be in any German novel? Just remember the first pages of Effi Briest, where you think\u2014as a student\u2014that you are suffering through a boring description of a cute garden\u2014 when in reality it is some elaborate foretelling of the fucked up story that is yet to unfold.<\/p>

I think about the critical junctures in my life, the pivotal moments, and I just can\u2019t help playing these what if<\/i>-games. What if I\u2019d skipped that trip? Never boarded that plane?
Would I be happier? Dumber? More sarcastic? Less so?<\/p>

Normally, setting up an exhibition is about the future\u2014who will see your work, how people will engage with it, what they might write about it. Its about the work, not about me as a person\u2014 even though that always is somewhere in there too. Making an exhibition rarely is about looking back at the person you once were.<\/p>

But this week will be different. I won\u2019t be able to avoid looking back at myself as an eight-year-old. And, not enough with that, others will look at me as that strange eight-year-old who somehow became the person doing an art show just eight minutes from home. I know they\u2019ll look at me differently\u2014which is neither good nor bad.
But the disconnect between the kid I was and the person I am now will be written across their faces and because I\u2019m oddly sensitive, it will make me uncomfortable for sure. I\u2019ve had nice chats with hot curators, blue chip gallerists and sought-after collectors but I am anxious to hear what my former art teacher and my mother will say about the show. Possibly the toughest crowd I have ever faced.<\/p>

Every exhibition feels different for me. It\u2019s a different show whether I\u2019m showing paintings in a gallery in London,or whether I\u2019m hosting an open studio in New York, or participate in a museum show in Shanghai \u2014 but this time it will be gut-wrenching in some multi-layered way, where the prophet comes home and hopes that she won\u2019t be beheaded.<\/p>

I will sleep in the same room that I have slept in as a 4-year-old. My mother will be sleeping in the same house in the same street; the street in which the village graveyard is located, in which my father sleeps. It will be a strange week for me.<\/p>

Charlie Stein: Paraworlds,<\/i> Kunstverein Schorndorf<\/a> until July 27, 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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(1) Charlie Stein, Thesmophoria<\/em>, 2024. (2) Charlie Stein, Virtually Yours<\/em>, 2025, Installation. (3) Charlie Stein, Virtually Yours<\/em>, 2023. \u00a9 Courtesy of the Artist<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

This week, Berlin-based painter Charlie Stein opens her new show Paraworlds at Kunstverein Schorndorf\u2014eerily close to where she grew up. For Crisp, she reflects on what it feels like to return to her hometown with a solo show\u2014and a bang.
\nLesezeit: 4 Minuten<\/p>\n","protected":false},"author":41,"featured_media":10078,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[510,514,512,422,421,40,38,516,509,511,517,513,515],"class_list":["post-10067","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allebeitraege","tag-charlie-stein","tag-heimat","tag-heimkehr","tag-identitaet","tag-kultur","tag-kunst","tag-kuenstlerin","tag-kuenstlerleben","tag-kunstverein-schorndorf","tag-paraworlds","tag-selbstreflexion","tag-soloausstellung","tag-vergangenheit"],"acf":[],"yoast_head":"\nHomecoming \u2013 Crisp Magazin<\/title>\n<meta name=\"description\" content=\"K\u00fcnstlerin Charlie Stein kehrt f\u00fcr ihre Ausstellung "Paraworlds" in ihre Heimat zur\u00fcck \u2013 ein emotionales Heimkommen voller Erinnerungen.\" \/>\n<meta name=\"robots\" content=\"index, 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