{"id":10157,"date":"2025-06-25T11:03:54","date_gmt":"2025-06-25T11:03:54","guid":{"rendered":"https:\/\/ato.vision\/magazine\/?p=10157"},"modified":"2025-06-25T12:32:49","modified_gmt":"2025-06-25T12:32:49","slug":"critics-picks-riga-art-week","status":"publish","type":"post","link":"https:\/\/ato.vision\/magazine\/critics-picks-riga-art-week\/","title":{"rendered":"Critic\u2019s Picks: Riga Art Week"},"content":{"rendered":"\t\t
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Founded by El\u012bna Dr\u0101ke, Elena \u0160alina, and T\u012bna P\u0113tersone, Riga Art Week\u2019s programme offered a comprehensive look at what the Baltics\u2019 cultural landscape has to offer. Though it didn\u2019t match the scale or tempo of major art capitals, Riga\u2019s more intimate setting provided clear insight into an emerging scene that operates with its own distinct character. Here are the standout presentations from the week.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Kitty Florentine, Balance<\/i> at Gr\u012bzi\u0146d\u0101rzs<\/strong><\/p>

Self-proclaimed as \u201cthe enchanting ethereal Estonian fairy of the art\u201d, Kitty Florentine\u2019s performance during the official opening night was certainly both enchanting and ethereal. Drawing the largest crowd I saw all week, we were gently herded into a spacious room where Florentine awaited. Kneeling on the floor, her hair extensions tethered to a larger, hair-covered sculpture behind her, she began with a haunting melody that slowly unfolded. The mood shifted, dark techno beats pulsed through the space before giving way to a brighter, poppier finale.\u00a0 While my British instinct flinched the moment audience participation was requested \u2013 joining the side of the room avoiding eye contact \u2013 Florentine managed to create an undeniable energy with the audience she brought into the centre for a final, communal dance.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Kitty Florentine\u2019s performance <\/span>Balance<\/span><\/i> at Gr\u012bzi\u0146d\u0101rzs, courtesy of the artist.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Bureaucrat Who Secretly Reads Poems<\/i> at Pilot\u00a0<\/strong><\/p>

Riga Photography Biennial \u2014 NEXT 2025 \u201cEmerging Curator!\u201d award-winner Roberta Atraste\u2019s exhibition <\/span>The Bureaucrat Who Secretly Reads Poems<\/span><\/i> was the first show I encountered in Riga. Held at Pilot, the Art Academy of Latvia\u2019s experimental art space, the group show takes the bureaucratic and administrative processes that underpin the art world as its starting point. What held my attention was Danish artist Sara Kr\u00f8gholt Trier\u2019s animated video work <\/span>Do you see the crooked line in the wall <\/span><\/i>(2024), which quietly stole the show. Set in an ambiguous cityscape, the film follows three figures \u2013 a teenager, a millennial, and a retired fortune teller \u2013 as they encounter one another and reflect on shared experiences. The atmosphere is steeped in surveillance: CCTV cameras linger, the city appears abandoned, no longer a place of social exchange but one of eerie isolation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Still from \u00a9 Sara Trier, <\/span>Do you see the crooked line in the wall <\/span><\/i>(2024), courtesy of the artist.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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J\u0101nis Dzirnieks at Kim? Contemporary Art Centre<\/strong><\/p>

J\u0101nis Dzirnieks\u2019 solo exhibition <\/span>Healthy Friends<\/span><\/i> conjures a warped, psychedelic ecosystem, where digital manipulation, painterly gesture and sculptural assemblage bleed into one another. The show is primarily composed of scanned scribbles and watercolour drawings that have been digitally enhanced, UV-printed, and then physically altered, resulting in wall-mounted works that hover somewhere between painting, relief, and mutant biological specimens. A personal favourite was <\/span>Idler in Thermal Load<\/span><\/i> (2024\u201325), a UV print on used acrylic glass, epoxy resin and steel. It resembles a gingerbread man entangled with a dog-like form, their bodies swirling with vibrant washes of pink, purple, yellow and red \u2013 both grotesque and endearing, like hallucinated cartoon characters caught mid-mutation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 <\/span>J\u0101nis Dzirnieks, <\/span>Idler in Thermal Load <\/span><\/i>(2024\u201325), courtesy of the artist.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Agate T\u016bna at ASNI<\/strong><\/p>

Agate T\u016bna\u2019s solo exhibition <\/span>Volentity<\/span><\/i> explores quartz crystal as both a mediator of spiritual energy and a core component of today\u2019s technological landscape. In her latest series, T\u016bna creates a visual diary of visible and invisible sensations, tracing the ways energy, memory, and identity shift under technological influence. Working with mirrors, glass, copper wire, and scanning techniques, T\u016bna manipulates raw film through a range of multimedia processes, reinterpreting the results onto plexiglass forms and chemigrams. The outcome is a striking mix of psychedelic, inkblot-like sculptures \u2013 somewhere between Rorschach test and talisman \u2013 alongside hazy, intimate photographic prints that evoke the threshold between physical sensation and digital distortion. T\u016bna\u2019s works hover in a liminal state between the material and immaterial. Images seem to melt, shimmer, or glitch, conjuring a sense of permeability between body, self, and memory in an increasingly hybridised world.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 <\/span>Agate T\u016bna, <\/span>Volentity <\/span><\/i>at ASNI, installation view, courtesy of the artist.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Vika Eksta at ALMA<\/strong><\/p>

As part of the Riga Photography Biennial \u2013 NEXT 2025 which ran parallel to RAW, Vika Eksta\u2019s <\/span>Funeral Rite in Sloboda<\/span><\/i> is a quietly powerful black-and-white series documenting the funeral of the artist\u2019s aunt. Influenced by the photojournalistic style of Magnum photographers, Eksta set out to capture the event with as much objectivity as possible \u2013 choosing the role of observer over that of grieving relative, as a way to rise above the weight of personal loss. The resulting images offer a solemn, unsentimental portrait of a Catholic funeral in one of Latvia\u2019s remote rural regions. But despite their composure, the final photograph quietly breaks that distance: mourners raise a glass, grinning openly at the camera, their faces softened by ritual and shared memory. In that moment, objectivity dissolves \u2013 and what remains is deeply, unmistakably human.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 <\/span>Vika Eksta, <\/span>Funeral Rite in Sloboda. <\/span><\/i>Photo: Ansis Starks.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Fresh from Latvia\u2019s capital: Riga Art Week (RAW) launched its inaugural edition this past May, bringing together the city\u2019s institutions, galleries, and creative spaces in a coordinated effort to showcase Latvia\u2019s contemporary art scene. Nadia Egan shares her five favourite positions with us.<\/p>\n","protected":false},"author":33,"featured_media":10167,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[41,460,461,497,495,496,508,223,63,38,464,295,498,375],"class_list":["post-10157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allebeitraege","tag-ausstellung","tag-crispy-critics-picks","tag-crispy-picks","tag-diane-severin-nguyen","tag-gallery-weekend-berlin","tag-hudinilson-jr","tag-josefin-granetoft","tag-kunstkritik","tag-kuenstler","tag-kuenstlerin","tag-kunstmesse","tag-kuratorin","tag-soil-thornton","tag-zeitgenoessische-kunst"],"acf":[],"yoast_head":"\nCritic\u2019s Picks: Riga Art Week \u2013 Crisp Magazin<\/title>\n<meta name=\"description\" content=\"F\u00fcnf Highlights von der Riga Art Week 2025 \u2013 kritisch kuratiert und 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