{"id":10240,"date":"2025-07-02T08:33:14","date_gmt":"2025-07-02T08:33:14","guid":{"rendered":"https:\/\/ato.vision\/magazine\/?p=10240"},"modified":"2025-07-02T11:08:33","modified_gmt":"2025-07-02T11:08:33","slug":"crispy-critics-picks-art-basel-in-basel","status":"publish","type":"post","link":"https:\/\/ato.vision\/magazine\/crispy-critics-picks-art-basel-in-basel\/","title":{"rendered":"CRISPY CRITIC\u2019S PICKS: Art Basel in Basel"},"content":{"rendered":"\t\t
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Eigentlich ist die Art Basel der Grund, dass im Juni die ganze Kunstwelt in die Schweiz reist.
Die spannendste Kunst gab es aber au\u00dferhalb der Messehallen zu sehen.<\/p>

Art Basel Parcours: Yu Ji, <\/b>Foraged<\/i><\/b> bei Sadie Coles HQ (London) und Kiang Malingue (Hong Kong)<\/b><\/p>

Schon im vergangenen Jahr verlegte Kuratorin Stefanie Hessler die Outdoor-Ausstellung der Art Basel von der schmucken Altstadt auf die gesch\u00e4ftige Clarastra\u00dfe. Einige der Kunstwerke stehen dort gleich drau\u00dfen herum oder sind durch Schaufenster sichtbar. F\u00fcr andere muss man Ladengesch\u00e4fte, Einkaufszentren oder \u00c4hnliches betreten. Zum Beispiel das Hotel Rheinfelder Hof, wo die chinesische K\u00fcnstlerin Yu Ji im Bankettsaal eine r\u00e4tselhafte Szenerie arrangiert hat. Sperrm\u00fcll-Spiegel hingen von der Decke, Betonskulpturen von menschlichen K\u00f6rperteilen kauerten \u00fcber und auf Sitzgelegenheiten. In der Mitte ein langer Tisch, auf dem Yu Ji Gl\u00e4ser mit giftig gr\u00fcnen Tr\u00e4nklein aus in Basel gesammelten Kr\u00e4utern platzierte, Trockenfr\u00fcchte, an Kohlsorten erinnernde Keramiken und Brot, das sie in einer lokalen B\u00e4ckerei so stark \u00fcberbacken gelassen hatte, dass man es f\u00fcr Vulkangestein halten k\u00f6nnte.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Yu Ji. Courtesy the Artist, Sadie Coles HQ, London and Kiang Malingue, Hong Kong and NewYork. Photographer: Andrea Rossetti.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Liste Art Fair Basel: Wiktoria Kieniksman und Miko\u0142aj Sobotka bei Turnus (Warschau)<\/b><\/p>

Im Jahr 1995 \u00fcberzeugten die Z\u00fcrcher Galerist*innen Eva Presenhuber und Peter Kilchmann den Basler Ausstellungsmacher Peter Bl\u00e4uer von ihrer Idee f\u00fcr eine junge Alternativmesse zur Art Basel und riefen sie unter dem Namen Liste ins Leben. Ihr 30. Jubil\u00e4um feierte die Messe f\u00fcr internationale Gegenwartskunst in diesem Jahr unter der Leitung ihrer neuen Direktorin Nikola Dietrich. Diese lockerte die Ausstellungsarchitektur auf und auch die Auswahl der Galerien. Ganze 48 internationale Galerien gaben 2025 ihr Deb\u00fct auf der Messe. Mein Favorit war eine davon: Turnus aus Warschau, gegr\u00fcndet erst 2020 von Kamila Fal\u0119cka und Marcelina Gorzynska als Caf\u00e9, Ausstellungsort und Shop. An ihrem alles andere als aufger\u00e4umten Stand pr\u00e4sentierten sie Arbeiten von zwei jungen polnischen K\u00fcnstler*innen rund um eine Art Altar \u2013 expressiv-figurative Malerei in Farben wie aus einem Vintagestore von Wiktoria Kieniksman, auf der sich junge Frauen gegen Taschendiebe wehren, exhibitionieren oder mit sonnenverbranntem R\u00fccken durchs Nachtleben bewegen, und dazu wurmf\u00f6rmige Kerzenst\u00e4nder, eine windschiefe Stra\u00dfenlaterne und weitere Objekte, Skulpturen und Zeichnungen von Miko\u0142aj Sobotka.<\/p>

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Wiktoria Kieniksman und Miko\u0142aj Sobotka bei Liste: Turnus (Warschau). Foto @graysc.de<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Basel Social Club: Guzm\u00e1n Paz, <\/b>Bakery<\/i><\/b> bei Nora Fisch (Buenos Aires)<\/b><\/p>

Das nomadische Kunstevent Basel Social Club nahm dieses Jahr Station mitten in Gro\u00dfbasel und zog dort in ein labyrinthisch verschachteltes, vielst\u00f6ckiges, ehemaliges Bankgeb\u00e4ude, das danach \u2013 wen wundert\u2019s?\u2013 in Luxuswohnungen umgebaut werden soll. Stundenlang konnte man sich dort durch 100 R\u00e4ume durcharbeiten, vorbei an raumeinnehmenden Installationen, Zeichnungen, Gem\u00e4lden und Skulpturen, an zartem Schmuck, einem Casino, einer Blutbank und einem Nail-Salon, an performativen Arbeiten, ultrajungen Positionen, Klassikern der Moderne \u2013 und vielen anderen Menschen. Die absolute Reiz\u00fcberflutung war das. In Erinnerung geblieben sind mir unter anderem die kleinen, spielerischen dreidimensionalen Wandarbeiten des uruguayischen K\u00fcnstlers Guzm\u00e1n Paz, vertreten von der argentinischen Galerie Nora Fisch.\u00a0<\/p>

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\u00a9 Guzm\u00e1n Paz, Bakery<\/i>, Installationsansicht. Foto: Galerie Nora Fisch.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Maison Clearing: Jasmine Gregory, <\/b>Divorce<\/i><\/b><\/p>

Eine weitere salonartige Ausstellung, f\u00fcr deren Besuch man weder VIP sein, noch ein Ticket erwerben musste, kam in diesem Jahr hinzu: Maison Clearing, organisiert von der in New York und Los Angeles beheimateten Galerie Clearing und kuratiert von deren Programmdirektorin Olamiju Fajemisin bespielte eine Villa in Rheinn\u00e4he mit Kunst nicht nur von K\u00fcnstler*innen aus dem eigenen Programm. Weniger \u00fcberf\u00fcllt als der Basel Social Club, nicht weniger sehenswert, eine kleine Oase mit h\u00fcbschem Garten, der sich f\u00fcr eine Verschnaufpause anbot. Zu den Highlights vor Ort geh\u00f6rten die Divorce<\/i>-Gem\u00e4lde der US-amerikanischen, in Z\u00fcrich lebenden K\u00fcnstlerin Jasmine Gregory, zusammengesetzt zu einem Kartenhaus.\u00a0<\/p>

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\u00a9 Jasmine Gregory, Divorce<\/i>, Installationsansicht bei Maison Clearing. Foto: Beate Scheder<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Art Basel in Basel jenseits der Art Basel. Einmal im Jahr ist Basel der Nabel der Welt. Zumindest der Kunstwelt. Obwohl die Art Basel als wichtigste Kunstmesse der Welt gilt, gab es die interessantesten Werke au\u00dferhalb der heiligen Messehallen. Beate Scheder hat sie f\u00fcr uns entdeckt.
\nLesedauer: 4 Minuten<\/p>\n","protected":false},"author":42,"featured_media":10241,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[544,540,41,541,545,460,461,537,538,223,63,38,464,539,295,536,543,542,375],"class_list":["post-10240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allebeitraege","tag-alternative-kunstevents","tag-art-basel","tag-ausstellung","tag-basel-social-club","tag-beate-scheder","tag-crispy-critics-picks","tag-crispy-picks","tag-guzman-paz","tag-jasmine-gregory","tag-kunstkritik","tag-kuenstler","tag-kuenstlerin","tag-kunstmesse","tag-kunstszene-basel","tag-kuratorin","tag-liste-art-fair","tag-turnus-warschau","tag-yu-ji","tag-zeitgenoessische-kunst"],"acf":[],"yoast_head":"\nCRISPY CRITIC\u2019S PICKS: Art Basel in Basel \u2013 Crisp Magazin<\/title>\n<meta name=\"description\" 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