{"id":10451,"date":"2025-10-29T15:19:07","date_gmt":"2025-10-29T15:19:07","guid":{"rendered":"https:\/\/ato.vision\/magazine\/?p=10451"},"modified":"2025-10-29T15:35:19","modified_gmt":"2025-10-29T15:35:19","slug":"crispy-critics-picks-art-basel-paris","status":"publish","type":"post","link":"https:\/\/ato.vision\/magazine\/crispy-critics-picks-art-basel-paris\/","title":{"rendered":"Crispy Critic\u2019s Picks: Art Basel Paris"},"content":{"rendered":"\t\t
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Gretchen Bender bei Spr\u00fcth Magers
<\/b>Top Ten Grossing Films of 1988: Die Hard<\/i>, 1989<\/p>

Gretchen Bender kennen immer noch viel zu Wenige. Umso toller, dass Spr\u00fcth Magers die 2004 verstorbene Amerikanerin prominent auf der Messe platziert. Auf dem zerkn\u00fcllten Acryl, wie ein weggeworfenes Taschentuch, leuchtet nun der Filmtitel \u201eDie Hard\u201c, der 1988 zu den zehn Filmen geh\u00f6rte, die am meisten Umsatz eingespielt haben.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Gretchen Bender, Top Ten Grossing Films of 1988: Die Hard<\/em>, 1989, Spr\u00fcth Magers. Foto: Laura Helena Wurth<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Alvaro Urbano bei Marian Goodman
<\/b>Noches en los jardines de Espana<\/i>, 2025<\/p>

In einer Umgebung, die auf Sch\u00f6nheit, auf der Pr\u00e4sentation von Reichtum und dem Geld, das bitte m\u00f6glichst schnell den Besitzer wechseln soll, ausgerichtet ist, sind die verfaulten Orangen, die da auf dem leberwurstfarbenen Boden des Grand Palais liegen, ein kurzer Moment der Irritation. Die Beton-Orangen faulen jedoch nicht. Sie sind angemalt und somit wieder sammler*innenfreundlich.\u00a0

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Alvaro Urbano, Noches en los jardines de Espana<\/em>, 2025, Marian Goodman. Foto: Laura Helena Wurth<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Simone Fattal bei Balice Hertling
<\/b>D\u2019Apr\u00e8s Goya VIII<\/i>, 2025<\/p>

Simone Fattal hat Bilder von Goya ausgedruckt und \u00fcbermalt. Man sieht noch den Schafskopf, wie er etwas verzweifelt aus der Farbschicht herausblickt. Einerseits ist es das, was Kinder an verregneten Nachmittagen machen, wenn sie Magazinbilder \u00fcbermalen. Andererseits ist es eine radikale Geste, sich als K\u00fcnstlerin in die Geschichte der Kunst einzuschreiben. Auf dieser Messe, bei der sich auff\u00e4llig viele nicht mehr ganz so zeitgen\u00f6ssische Altmeister und Picassos tummeln, scheint es ein noch passenderer Kommentar.\u00a0

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Simone Fattal, D\u2019Apr\u00e8s Goya VIII<\/em>, 2025, Balice Hertling. Fotos: Laura Helena Wurth<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mohamad Abdouni bei Marfa Projects
<\/b>Boyhood<\/i>, 2025<\/p>

Eine Unterhose aus Keramik zerkn\u00fcllt auf dem Boden. Ein Alltagsmoment voller N\u00e4he, K\u00f6rperlichkeit und W\u00e4rme. Vielleicht auch der Verweis auf die Nacktheit des nun unterhosenlosen K\u00f6rpers. Inmitten des Schauens und der um Aufmerksamkeit buhlenden Kunstwerke ist es ein kurzer, ein weicher Moment. Es scheint absurd, dass der Rubens bei Gagosian weniger Eindruck hinterl\u00e4sst, als die Keramikunterhose bei Marfa Projects. Aber so ist es.

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Mohamad Abdouni, Boyhood<\/em>, 2025, Marfa Projects. Foto: Laura Helena Wurth<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Dort wo die Gerhard Richters dieser Welt und achtstellige Geldbetr\u00e4ge die Besitzer*innen wechseln, also auf der Art Basel Paris, der Kunstmesse f\u00fcr moderne und zeitgen\u00f6ssische Kunst, die 2025 zum vierten Mal stattfand, tummeln sich neben \u00fcberraschenden Rubens-Gem\u00e4lden auch verschimmelte Orangen und verlorene Unterhosen. Laura Helena Wurth \u00fcber ihre vier Lieblingsmomente der Irritation und der Z\u00e4rtlichkeit.<\/p>\n

Lesezeit: 3 Minuten<\/p>\n","protected":false},"author":45,"featured_media":10470,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[610,607,619,565,614,616,612,611,223,621,63,38,464,615,620,618,609,613,608,617,375],"class_list":["post-10451","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allebeitraege","tag-alvaro-urbano","tag-art-basel-paris","tag-balice-hertling","tag-crisp","tag-crispy-critic","tag-critics-picks","tag-gerhard-richter","tag-gretchen-bender","tag-kunstkritik","tag-kunstkritikerin","tag-kuenstler","tag-kuenstlerin","tag-kunstmesse","tag-laura-helena-wurth","tag-marfa-projects","tag-marian-goodman","tag-moderne-kunst","tag-mohamad-abdouni","tag-simone-fattal","tag-sprueth-magers","tag-zeitgenoessische-kunst"],"acf":[],"yoast_head":"\nCrispy Critic\u2019s Picks: Art Basel Paris \u2013 Crisp 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