{"id":9997,"date":"2025-05-09T11:14:41","date_gmt":"2025-05-09T11:14:41","guid":{"rendered":"https:\/\/ato.vision\/magazine\/?p=9997"},"modified":"2025-05-10T18:41:46","modified_gmt":"2025-05-10T18:41:46","slug":"critics-picks-gallery-weekend-berlin","status":"publish","type":"post","link":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/","title":{"rendered":"Critic\u2019s Picks: Gallery Weekend Berlin"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Hudinilson Jr. at KOW<\/b><\/p>

Hudinilson Jr.\u2019s (1957\u20132013) collages and xerox prints cling to the body, revealing every ridge of skin and trace of hair. In fact, they are scans of flesh: the artist literally straddled a photocopier machine, genitals and all, and pressed \u201ccopy\u201d. Clearly not oblivious to the appearance of self-obsession of these prints-cum-performances, Hudinilson Jr. titled many of them as \u201cexercises of seeing oneself\u201d, or bluntly, \u201cNarcissus\u201d. Yet, while the copier machine was so close to the body that one can tease out individual strands of hair, the images are cropped and collaged in such a way that one loses sight of where the body ends and begins. The viewer is subjected to a scrutinizing but tender gaze; trailing from an armpit, to an eyebrow, to other undetected crevices or creases. The works ooze with desire and queerness, without ever turning the body into an object. Hudinilson Jr. was active in S\u00e3o Paulo\u2019s underground art scene from the late 1970s onwards. The show at KOW is his first solo-presentation in Germany.<\/p>

On view until July 26, 2025.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a9 Hudinilson Jr., Exerc\u00edcio de me ver II \/ Narcisse<\/i>, 1981, courtesy of Hudinilson Jr. Estate, Martins&Montero, and KOW, Berlin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Diane Severin Nguyen at Galerie Molitor<\/b><\/p>

Entering the exhibition Spring Snow<\/i>, one is surrounded by a sheer, white curtain that marks Diane Severin Nguyen\u2019s latest video installation. In an artist talk at the Neue Nationalgalerie, held as part of the public program of this year\u2019s Gallery Weekend, Severin Nguyen alluded to the curtain as a kind of camera house or shutter, allowing for more or less light to enter the space. The use of white fabric to mark and transform the gallery space is echoed in the show\u2019s recurring motif of snow: from scenes of artificial snowfall in the jungle, seen in the video installation, to photographic still lifes of objects dusted with a white powder that could be sugar, snow, or chemical residue. The snow-like particles, much like the fabric, function as entrapments of time and light, but also lend the works an additional semantic layer that remains impossible to fully pin down. It\u2019s beautiful and unnerving.<\/p>

On view until June 7, 2025.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a9 Diane Severin Nguyen, Drain the Whole Sea<\/i>, 2025. LightJet C-print, custom velvet frame 60,9 x 81,3 cm <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SoiL Thornton at Galerie Neu<\/b><\/p>

My first impression of SoiL Thornton\u2019s show at Galerie Neu was one of mild annoyance. What is described by the gallery as a \u201cplayful and multi sensorial experience\u201d felt more like a conceptually riddled ball pit, which I didn\u2019t feel particularly inclined to take part in. Visitors were trying to figure out what to do with the colorful pompom balls scattered across the floor, while gallery attendants quietly collected and re-ordered them. The title of the show, The Rest<\/i>, did not seem fitting at all, given the busy colors and constant motion. Clearly, the title alluded to something other than rest as repose, but perhaps rather to a resistance to meaning or purpose. Several wall pieces alluded to a deconstruction of binary logics and language, or to some kind of respite. Despite my initial reaction, I feel inclined to come back again \u2013 perhaps on a quieter day \u2013 to see what meanings might emerge when the weekend buzz has passed.<\/p>

On view until June 14, 2025.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a9\u00a0 SoiL Thornton, The Rest<\/i>, installation view at Galerie Neu. Courtesy of the artist and Galerie Neu, Berlin. Photo: Stefan Korte.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Leelee Chan at Klemm\u2019s

<\/b>The sculptures presented in Leelee Chan\u2019s show Spiral Diaries<\/i> have a mystic aura. Some resemble animal shapes or fossils, while others seem inspired by man-made architecture or religious tokens. The eclecticism of form and materiality is an intentional strategy but requires some deciphering. I learned upon my visit that the cathedral-like silhouette of the bronze work Wood Wide Web<\/i> (2025) was in fact cast from plastic shipping pallets. Another piece, Maker\u2019s Egg Cases<\/i> (2025), has the segmented shape of a spine or a caterpillar, but is made from enlarged egg cases and hex nuts. Carefully crafted and multifaceted, the pieces are open to interpretation \u2013 whether one focuses on the merging of animal and non-animal elements, or the melding of industrial and handcrafted materials.<\/p>

On view until June 6, 2025.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a9 Leelee Chan, Spiral Diaries<\/i>, installation view at Klemm\u2019s. Courtesy of the artist and Klemm’s, Berlin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Sky Hopinka at Tanya Leighton<\/b><\/p>

After jumping from gallery to gallery, Sky Hopinka\u2019s exhibition at Tanya Leighton felt like a welcome breather. On display is a small selection of photographs and a video with skies and landscapes as their leitmotif. The new video work, He Who Wears Faces on His Ears<\/i> (2025), opens with a plunge into an expansive sky framed by clouds, as if there were no up or down. Another central element of the work is text: a poem circles around the screen in an inward spiral motion, almost hypnotic. The title refers to a figure from Ho-Chunk mythology \u2013 Red Horn \u2013 a spiritual being \u201cwho moves between the human and the mythic\u201d, according to the exhibition text. There\u2019s something about the shifting perspective and drifting motion that makes the work quietly captivating and meditative; both introspective and expansive.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a9 Sky Hopinka, Bone & Light<\/i>, installation view at Tanya Leighton, Berlin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

The concept of Berlin\u2019s yearly Gallery Weekend is simple: Around 50 galleries participate in a weekend-long opening bonanza, the rest of us hurries around the city trying to see as much as possible. For those who chose to spend their first weekend of May doing something other than gallery hopping, here are five shows from this year\u2019s edition that are well worth catching up on.
\nLesezeit: 5 Minuten<\/p>\n","protected":false},"author":40,"featured_media":9998,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56],"tags":[41,460,461,497,495,496,508,223,63,38,464,295,498,375],"class_list":["post-9997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allebeitraege","tag-ausstellung","tag-crispy-critics-picks","tag-crispy-picks","tag-diane-severin-nguyen","tag-gallery-weekend-berlin","tag-hudinilson-jr","tag-josefin-granetoft","tag-kunstkritik","tag-kuenstler","tag-kuenstlerin","tag-kunstmesse","tag-kuratorin","tag-soil-thornton","tag-zeitgenoessische-kunst"],"acf":[],"yoast_head":"\nCritic\u2019s Picks: Gallery Weekend Berlin \u2013 Crisp Magazin<\/title>\n<meta name=\"description\" content=\"F\u00fcnf Highlights vom Gallery Weekend Berlin 2025 \u2013 kritisch kuratiert und absolut sehenswert.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critic\u2019s Picks: Gallery Weekend Berlin \u2013 Crisp Magazin\" \/>\n<meta property=\"og:description\" content=\"F\u00fcnf Highlights vom Gallery Weekend Berlin 2025 \u2013 kritisch kuratiert und absolut sehenswert.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/\" \/>\n<meta property=\"og:site_name\" content=\"Crisp Magazin\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-09T11:14:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-10T18:41:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/DSN_F_11.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Josefin Granetoft\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Josefin Granetoft\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"6\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/\"},\"author\":{\"name\":\"Josefin Granetoft\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#\\\/schema\\\/person\\\/c533c17d9d2c84cc1cfb76c0a68820ac\"},\"headline\":\"Critic\u2019s Picks: Gallery Weekend Berlin\",\"datePublished\":\"2025-05-09T11:14:41+00:00\",\"dateModified\":\"2025-05-10T18:41:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/\"},\"wordCount\":875,\"publisher\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/DSN_F_11.jpg\",\"keywords\":[\"Ausstellung\",\"Crispy Critic's Picks\",\"Crispy Picks\",\"Diane Severin Nguyen\",\"Gallery Weekend Berlin\",\"Hudinilson Jr.\",\"Josefin Granetoft\",\"Kunstkritik\",\"K\u00fcnstler\",\"K\u00fcnstlerin\",\"Kunstmesse\",\"Kuratorin\",\"SoiL Thornton\",\"zeitgen\u00f6ssische Kunst\"],\"articleSection\":[\"Alle Beitr\u00e4ge\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/\",\"url\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/\",\"name\":\"Critic\u2019s Picks: Gallery Weekend Berlin \u2013 Crisp Magazin\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/DSN_F_11.jpg\",\"datePublished\":\"2025-05-09T11:14:41+00:00\",\"dateModified\":\"2025-05-10T18:41:46+00:00\",\"description\":\"F\u00fcnf Highlights vom Gallery Weekend Berlin 2025 \u2013 kritisch kuratiert und absolut sehenswert.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/#primaryimage\",\"url\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/DSN_F_11.jpg\",\"contentUrl\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/DSN_F_11.jpg\",\"width\":2000,\"height\":1500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/critics-picks-gallery-weekend-berlin\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Critic\u2019s Picks: Gallery Weekend Berlin\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#website\",\"url\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/\",\"name\":\"Crisp Magazin\",\"description\":\"Junges, kritisches Kunstmagazin \u2013 herausgegeben von ato\",\"publisher\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#organization\",\"name\":\"ato\",\"url\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2022\\\/02\\\/ato_Logo_rund.png\",\"contentUrl\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2022\\\/02\\\/ato_Logo_rund.png\",\"width\":862,\"height\":862,\"caption\":\"ato\"},\"image\":{\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/#\\\/schema\\\/person\\\/c533c17d9d2c84cc1cfb76c0a68820ac\",\"name\":\"Josefin Granetoft\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/JosefineGranetoft_Autorinnenbild_CreditPrivat-150x150.jpg\",\"url\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/JosefineGranetoft_Autorinnenbild_CreditPrivat-150x150.jpg\",\"contentUrl\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/JosefineGranetoft_Autorinnenbild_CreditPrivat-150x150.jpg\",\"caption\":\"Josefin Granetoft\"},\"url\":\"https:\\\/\\\/ato.vision\\\/magazine\\\/author\\\/josefine-granetoft\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Critic\u2019s Picks: Gallery Weekend Berlin \u2013 Crisp Magazin","description":"F\u00fcnf Highlights vom Gallery Weekend Berlin 2025 \u2013 kritisch kuratiert und absolut sehenswert.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/","og_locale":"de_DE","og_type":"article","og_title":"Critic\u2019s Picks: Gallery Weekend Berlin \u2013 Crisp Magazin","og_description":"F\u00fcnf Highlights vom Gallery Weekend Berlin 2025 \u2013 kritisch kuratiert und absolut sehenswert.","og_url":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/","og_site_name":"Crisp Magazin","article_published_time":"2025-05-09T11:14:41+00:00","article_modified_time":"2025-05-10T18:41:46+00:00","og_image":[{"width":2000,"height":1500,"url":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/DSN_F_11.jpg","type":"image\/jpeg"}],"author":"Josefin Granetoft","twitter_card":"summary_large_image","twitter_misc":{"Verfasst von":"Josefin Granetoft","Gesch\u00e4tzte Lesezeit":"6\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/#article","isPartOf":{"@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/"},"author":{"name":"Josefin Granetoft","@id":"https:\/\/ato.vision\/magazine\/#\/schema\/person\/c533c17d9d2c84cc1cfb76c0a68820ac"},"headline":"Critic\u2019s Picks: Gallery Weekend Berlin","datePublished":"2025-05-09T11:14:41+00:00","dateModified":"2025-05-10T18:41:46+00:00","mainEntityOfPage":{"@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/"},"wordCount":875,"publisher":{"@id":"https:\/\/ato.vision\/magazine\/#organization"},"image":{"@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/#primaryimage"},"thumbnailUrl":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/DSN_F_11.jpg","keywords":["Ausstellung","Crispy Critic's Picks","Crispy Picks","Diane Severin Nguyen","Gallery Weekend Berlin","Hudinilson Jr.","Josefin Granetoft","Kunstkritik","K\u00fcnstler","K\u00fcnstlerin","Kunstmesse","Kuratorin","SoiL Thornton","zeitgen\u00f6ssische Kunst"],"articleSection":["Alle Beitr\u00e4ge"],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/","url":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/","name":"Critic\u2019s Picks: Gallery Weekend Berlin \u2013 Crisp Magazin","isPartOf":{"@id":"https:\/\/ato.vision\/magazine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/#primaryimage"},"image":{"@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/#primaryimage"},"thumbnailUrl":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/DSN_F_11.jpg","datePublished":"2025-05-09T11:14:41+00:00","dateModified":"2025-05-10T18:41:46+00:00","description":"F\u00fcnf Highlights vom Gallery Weekend Berlin 2025 \u2013 kritisch kuratiert und absolut sehenswert.","breadcrumb":{"@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/#primaryimage","url":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/DSN_F_11.jpg","contentUrl":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/DSN_F_11.jpg","width":2000,"height":1500},{"@type":"BreadcrumbList","@id":"https:\/\/ato.vision\/magazine\/critics-picks-gallery-weekend-berlin\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/ato.vision\/magazine\/"},{"@type":"ListItem","position":2,"name":"Critic\u2019s Picks: Gallery Weekend Berlin"}]},{"@type":"WebSite","@id":"https:\/\/ato.vision\/magazine\/#website","url":"https:\/\/ato.vision\/magazine\/","name":"Crisp Magazin","description":"Junges, kritisches Kunstmagazin \u2013 herausgegeben von ato","publisher":{"@id":"https:\/\/ato.vision\/magazine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ato.vision\/magazine\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/ato.vision\/magazine\/#organization","name":"ato","url":"https:\/\/ato.vision\/magazine\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/ato.vision\/magazine\/#\/schema\/logo\/image\/","url":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2022\/02\/ato_Logo_rund.png","contentUrl":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2022\/02\/ato_Logo_rund.png","width":862,"height":862,"caption":"ato"},"image":{"@id":"https:\/\/ato.vision\/magazine\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/ato.vision\/magazine\/#\/schema\/person\/c533c17d9d2c84cc1cfb76c0a68820ac","name":"Josefin Granetoft","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/JosefineGranetoft_Autorinnenbild_CreditPrivat-150x150.jpg","url":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/JosefineGranetoft_Autorinnenbild_CreditPrivat-150x150.jpg","contentUrl":"https:\/\/ato.vision\/magazine\/wp-content\/uploads\/2025\/05\/JosefineGranetoft_Autorinnenbild_CreditPrivat-150x150.jpg","caption":"Josefin Granetoft"},"url":"https:\/\/ato.vision\/magazine\/author\/josefine-granetoft\/"}]}},"_links":{"self":[{"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/posts\/9997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/comments?post=9997"}],"version-history":[{"count":22,"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/posts\/9997\/revisions"}],"predecessor-version":[{"id":10050,"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/posts\/9997\/revisions\/10050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/media\/9998"}],"wp:attachment":[{"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/media?parent=9997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/categories?post=9997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ato.vision\/magazine\/wp-json\/wp\/v2\/tags?post=9997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}